![]() ![]() However, a creative giddiness and desperate efforts to discover the truth bring suffering. He discards all his illusions and keeps his poetry to himself. Garšva as a cog in a huge machine is recklessly looking for self-actualisation. Garšva rejects love, ruptures human relationships, remains lonely in the cage of the elevator, but he still lives in the desire of hope fruition. His fragmented consciousness is haunted by homesickness, and sometimes images of women whom he loved. The 87th poet, Antanas Garšva, having no opportunity to vow to his creative work and achieve immortality of his soul, is forced to carry out a Sisyphean-like lift operator’s work in the biggest hotel in New York. Stilius originalus, kupinas netikt metafor, pasmons prasiverim, nuostabi groio vysteljim, yra stilistini kontrast: greta lyrini, estetikai velni atskleidim staiga parodomi vulgars, ciniki vaizdai, iurkts odiai. He is wandering through his cracky memories in places of the interwar Kaunas, High Panemunė, and Vilnius. Baltos drobuls pagrindinis veikjas Antanas Garva dirbo liftininku, kaip ir pats kma. ![]() Number 87 takes down the elevator: up and down. This play is a dramatisation of the novel The White Shroud by exodus writer Antanas Škėma (1910-1961). ![]()
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